POST 340 — COLOR CORRECTION (CUR-489)
POST 340 — COLOR CORRECTION is a DePaul University catalog course in Jarvis College of Computing and Digital Media. Students acquire a working knowledge of the aesthetics and technical aspects of the post-production phase of color correction. Content addresses theory and application of color correction, image control, and manipulation techniques.
Summary 🟡 ✓
- Resource type: course
- College / school: Film and Television Post-Production
- College/School: Jarvis College of Computing and Digital Media
- Curriculum section: Art, Media, and Design
- Catalog: POST 340
- Last Verified: 2026-07-01
Access (availability): 🟢 Green — open or routine · 🟡 Yellow — appointment or affiliation · 🔴 Red — restricted · ⚪/⚫ White/Black — not yet classified
Verification: ✓ confirmed · ~ likely · ? needs review · ✕ archived
Course access
- Access: 🟡 Yellow — Needs an appointment or affiliation
- Rationale: Catalog lists formal prerequisites, co-requisites, or program-status requirements.
- Prerequisites:
- POST 110 is a prerequisite
Verification
- Status: ✓ Catalog course
- Rationale: Captured from official DePaul course catalog (2026-06-30 catalog review).
- Source URL: catalog.depaul.edu/course-descriptions/post
- Last verified: 2026-07-01
Catalog description
Students acquire a working knowledge of the aesthetics and technical aspects of the post-production phase of color correction. Content addresses theory and application of color correction, image control, and manipulation techniques. Principles of color theory and the tools available to filmmakers engaged in the processes of electronic media and image manipulation are explored through lecture, interactive computer exercises, and hands-on experience with professional color correction software. POST 110 is a prerequisite for this class.
Resource relevance
Catalog course linked to map themes/programs: electronics.
Notes
Catalog course key: POST 340.
Catalog context
- Themes: electronics
- Recent schedule: 2026-2027 Autumn — Andrew Mausert-Mooney, Robert Sliga